Quarterly Scientific-Research Goljaam

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Various types of maps for carpet weaving can be made in Iran nowadays. For example, According to the application and selection employer and the weaver, from a map can be procured easily raster map, digital map or map provided audio. With the explanation that the use of audio maps is expanding and the amateur weavers are more willing to use it. Because the maps provided audio is more suitable for ease of work, tissue speed, occupational health, as well as for the cost of the map than the other types in some commercial cases. While the audio reader performs only the map readings, the recognition of the correct location of read nodes is still a weaver task.
In this research, with the design of the "Map reader HOF" (Patent Number 88954) and its performance review, it became clear the recognition of the correct location of the map nodes could be done by the device. In this research, the Find the warp has been chosen to describe the work of the machine more easily. This device feature speeds up the handmade carpet texture significantly compared to other types of maps.
In the selected map to check and compare between different types of maps, the result is that the "Map reader HOF" It needs to 90% less time for Read the map.
 

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For a long time, the handmade carpet of the Markazi province, especially the Sarouq brand, With A few hundred years old has been recognized as one of the symbols of Iranian art and culture in Iran and has played an important role in employment, non-oil exports and the Introducing the province art. Unfortunately, in the last decade, the province's carpet share has fallen sharply from domestic and foreign market and this old art-industry has encountered a lot of difficulties, where the number of producers and activists in this field significantly reduced. This paper studies the qualitative and strategic analysis of handmade carpet in Markazi province, rooting downgrades and providing appropriate solutions for the exit from this depression. In this paper, we have been used library method and various tools such as completion of questionnaires and interviews with stakeholders, experts and activists in the field of Art- Industry of Carpet of the province. Then, with using SWOT technique, analyzed he strengths, weaknesses, opportunities and threats of this art-industry and finally, solutions have been developed to achieve priorities based on its development orientations in the province. The results of this study indicate the defensive position of the carpet in the domestic and foreign markets, and, according to this, presented strategies and policies, functional tactics In order to exit the current depression. The main developed strategies are " Needs assessment, compilation, implementation and evaluation of regular educational program at different stages and levels in the field of art- industry of carpet", "Improving the quality of handmade carpets in the province through woven carpets identification, standardization, monitoring and evaluation" and "Applying new marketing methods and effective planning to introduce handmade carpets brands in order to penetrate new markets and increasing the share of existing markets."

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Among the Qashqai tribes, what is most commonly known is the variety of handcrafts, its design, its role, and its brilliant and beautiful colors. Dharma glass is one of the dozens of beautiful Qashqai woven handcrafts and is a double-colored warp and is taught like a mother-to-child nomadic handkerchief. Unfortunately, today, due to problems such as the lack of skilled weavers, the texture of time , No texture map, no presentation, its texture is obsolete. Hence, it has been tried to restore it to prevent it from becoming obsolete and to be used with its proper introduction in everyday life.
In doing this research, I tried to answer the following questions:
1. What technique is woven and its technical limitations and can it be made?
2. How can the role be corrected and mapped for that?

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Carpet bags, as both artistic and functional expressions within the realm of handicrafts, possess deep cultural roots across various societies and have gained particular prominence in Iran. These products represent a fusion of traditional weaving techniques and modern design, serving not only as utilitarian items but also as carriers of cultural, aesthetic, and historical significance. Globally, several studies have explored the transformation of old carpets into new products such as bags, shoes, and interior decorations, reflecting the globalization of handicrafts and their redefinition in modern contexts.
Nevertheless, a research gap remains in the historical analysis of carpet bags in Iran and other countries, particularly regarding their cultural, stylistic, functional, and formal dimensions. This qualitative, descriptive-historical study conducted without a hypothesis—aims to investigate the historical and cultural trajectory of carpet bags in Iran and worldwide. Data collection was carried out through library and documentary methods, and the research adopts an interdisciplinary approach to analyze the intersection of traditional art and modern design throughout the historical development of this product.
The study begins with a review of bag design history across various cultures, followed by an exploration of the global evolution of carpet bag design. It then focuses on the Iranian cultural and social context to examine the transformation of carpet bags in terms of utility, aesthetics, and performance. Key factors such as lifestyle, the role of women in handicraft production, ethnic and cultural dynamics, and the impact of commercial and cultural exchanges on stylistic diversity and form are central to this analysis.
Findings indicate that carpet bags are not merely consumer goods but symbols of cultural and artistic identity. The most vivid representation of their historical transformation can be found among Iran’s nomadic tribes, where these items reflect daily life and cultural beliefs.