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Mr Homayun Haj Mohammad Hosseini, Dr Habibullah Ayatollahi,
Volume 1, Issue 1 (3-2006)
Abstract

Iranian rural carpets are an important resource for studying the rural art and culture of Iran. They are also the most important area for staging the talents of, especially, rural girls and women. The common aspects of visual elements bespeak the prevailing spirit in these works under the influence of interaction with nature and lessons learned thereby. Also the availability of materials in the rural environment has the greatest influence on the physical aspects of design and texture. Rural-urban interaction and that with the nomadic population, and adapting the imported patterns to rural life is an outstanding feature of rural carpets. Adaptability of rural carpets to traditional rural applications and architecture is truly remarkable. The aesthetics of these works reveals their underlying principles, and the characteristics of their creators, and helps understand their worldview and attitude to their environment. Perhaps, that will present us with the gift of a new understanding of existence. The last point is that rural carpets are distinguishable from the urban and nomadic varieties.

Dr. S.ali Mojabi, Dr. Saeed Shaikhzadeh Najar, Dr. Shahrokh Hosseini Hashemi, Dr. A Rashidi, Dr. S.j Bassam,
Volume 2, Issue 3 (9-2006)
Abstract

In this research, an apparatus was designed and constructed in order to simulate the storage behavior of hand-woven carpet under different environmental conditions. Silk hand-woven carpet (“Gom”) with 115×75 cm dimensions and 102×97 knot per 10 cm was selected and then inserted into the packing simulator with two different laying configurations including flat and folded. The environmental conditions was adjusted at 3 different conditions including 25 ± 5% r.h and 30 ± 2°c (July-Tehran-Dry), 65 ± 5% r.h and 6 ± 2°c (February-Tehran-humid), 40 ± 5% r.h and 19 ± 2°c (October -Tehran-mild). The carpet sample was compressed under constant loads of 135 and 150 kg. The variation of carpet thickness with time in different parts of carpet was continuously measured using data acquisition system. The result of experiment shows that the carpet thickness is suddenly decreased at a short period of time and then reached to a stable condition. The variation trend of carpet thickness with time is accordance with a logarithm equation(y=a×Ln(t)-b) which is highly in agreement with Eyring model proposed in creep theory . But at the dry conditions, the variation of carpet thickness at the folded point follow a non-linear power equation (y=a×(t)^b) with a low correlation coefficient. However, the variation of carpet thickness at the non-folded point and flat configuration is very low.
Generally, at the humidity condition, maximum carpet thickness variation occurred at folded point with folded configuration. On the other hand, carpet thickness variations at dry condition are less those of at humidity and mild conditions. In addition, carpet thickness at dry condition more quickly reached to stable condition than those of at humidity and mild conditions.

Dr Seyyed Ali Mojabi, Dr Saeed Sheikzadeh Najjar, Dr Shahrokh Hosseini Hashemi, Dr Seyyed Jalal-O-Din Bassam,
Volume 5, Issue 13 (9-2009)
Abstract

To study the way of folding handmade carpets, the selected sample has been put under pressure of 50g/cm2 weight at three different states. The pressure has increased uniformly and continuously at 100,200, 500, 1000 and 1500 g/cm2. The thickness of the carpet has been recorded continuously during the measurement of the thickness of the carpet sample. The pressing parameters of the carpet have been calculated in KES-F system with simulation and fitting of two components model of de-jong pressure. Also, the thickness of the part that is not able to be pressed is estimated. Based on the obtained results, it has been shown that pressing energy in the curved folded part of the carpet is very low, but the pressing energy in the part with two layers of the carpet on each other is very high. Nevertheless, the percentage of elasticity in two layers of the carpet placed on each other is remarkably low. It shows that the sensitivity and flexibility of this area is more in comparison with two layers of the carpet. On the other hand, the thickness of the part that is not able to be pressed in the area with two layers of the carpet on each other is more than that of the investigated areas. In this way, the pressing is carried out by piercing the upper naps on the lower ones. Without folding and flatting of the carpet, it is not pressed and just upper layer naps are pressed on the lower layers. In this study, the phenomenon of Domino folding is used to describe the folding behavior of the handmade carpet under static pressing

Dr Seyed Ali Mojabi, Dr Saeed Shaikhzadeh, Dr Shahrokh Hosseini Hashemi, Dr Seyed Jalal Eddin Bassam,
Volume 6, Issue 16 (9-2010)
Abstract

If a carpet is put under pressure during use or storage, its thickness decreases instantly and continues to decrease slowly as the pressure is not removed. Some part of this loss of thickness is not recoverable. This phenomenon is called creep and is influenced by parameters such as temperature and humidity, and it may cause breakage, burst, crease, bump, and folding line in the carpet. By studying creep of carpets, it is possible to predict their behavior under such loads to reduce the damages and effects of the creep. In this paper, a sample of folded–carpet is put under pressure of a 170 kg dead weight for 48 hours and its compression strain under various thermal and humidity condition is measured on-line. Then different statistical models were regressed on the collated data proving that creep-model of Voight-Kelvin is assumed as the best formula for determination of creep behavior of the folded carpet under different thermal and humidity conditions. Analysis of data variance detected a significant difference between various levels of thermal and humidity parameters in creep model implying their direct influence in the equation, although they are negligible compared to time effect. This research extended to calculate the Young modulus, creep constant and viscosity coefficient of the folded-carpet. 

Azam Rasooli, Seyyed Reza Hosseini,
Volume 17, Issue 39 (8-2021)
Abstract

Time, its concept, and its way of perception and expression are among the topics of interest in different fields of human thought. The way of looking at the time has caused to various opinions about its nature.The carpet artists of the Qajar era, influenced by the process of transformations in different fields, acquired new experiences in designing than in previous periods. Faced with phenomena like time, artists represented it according to their subjective and objective universe and the capacities of the carpet.The problem of this research is the interpretation and understanding of time in the design and pattern of the Qajar carpet as a text medium, based on the proposition of "understanding" in Gadamer's philosophical hermeneutic approach. Based on the necessity of knowing the different aspects of carpets, including the representational capacity and implications of the meanings of the design and pattern of carpets, the purpose of this article is to identify the time, quality, and identity of its types in Qajar carpets.
The main questions for this research are: What does the representation of time look like in the Qajar rug? How to explain the understanding of time and the identity of its types in the carpet of Qajar based on the philosophic hermeneutic of Gadamer? To get answers to the research questions, the five samples of the Qajar carpet pattern were selected by a non-probability method and studied based on the content analysis method. The nature of this research is basic in terms of qualitative research. The method of data collecting is the documentary- library and artworks observation, and the means of collecting information are research sheets and pictures. Based on the findings, time on the Qajar carpet was recorded qualitatively and quantitatively with related signs.Ritual events, mythological thoughts, and traditions, different writings, creating movement and time sequence using spatial contrast, visual elements, reading writings, leveling the work, narrative and its elements, using symbols referring to time, They are one of the generative preconceptions of time.and with denotation and connotation signification and the re-reading of texts absent from the work, they cause mental association and intuitive understanding of the types of time on the carpet. In addition, the dominant discourses in the Qajar period were effective in the way that society and the carpet artist faced the times and its types.King power and authority, nationalism, traditionalism, modernism, myth and religion are among the most significant of these discourses.
 

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