Dr Amin Mohammadi Ostadkelayeh, Dr Naser Bayat, Dr Mohammadiamin Khorasani, Msc Raheleh Nik Ravesh,
Volume 12, Issue 30 (autumn and winter 2017)
Abstract
Handmade carpet as biggest and most original handicraft in Iran, in terms of employment speially in rural areas as well as in terms of non-oil exports has an important place and a significant proportion of GDP accounted for this. Research shows that the industry has faced significant challenges in recent years. Turkmen handmade carpet with outstanding dimensions and values of economic, social and cultural, production and supply dehumidified, but from the before years producing has taken a downward trend. On the basis this study is to identify and analyze the causes of depression in carpet industry in 10 Villages of Gonbad-e Qabus Township. Studied areas are in Sultan Ali, Fajr, Agh Abad and Baghli Marama sub-districts in Gonbad-e Qabus. Research methodology is combined and Extractive. First, using semi-structured interviews the causes of carpet depression from the perspective of industry experts in the study area using a coding method were analyzed which shows that the main reason of carpet weaving depression in 10 villages. Then the results of this part of the research, was basis of design the questionnaire. Questionnaire designed within the Likert scale framework, rural women 'views in relation to the causes of handmade carpet industry downturn was identified. T test and Hierarchical clustering analysis was used for analyzing questionnaire data. The view of respondents, shows that the Intra- group "lack of supportive government policies for carpet" and "weak economic aspects of rural development planning", respectively, have the greatest impact on the industry, and "lack of creativity and innovation in the field of design, color, map and quality of raw materials" and "technological backwardness in the production of carpethaveleast impact on the study villages.
Bentolhoda Yaghoobi, Mohammad Khorasanizade,
Volume 16, Issue 38 (2-2021)
Abstract
The carpet "Bahram Gour and Haft Gonbad " in the Carpet Museum of Iran is one of the pictorial carpets of the Qajar period, which tells one of the stories of "haft peikar (Seven Figures)" by Nezami Ganjavi, about Bahramchr('39')s marriage to the princes of seven climates. This carpet has been studied from different angles, but the connection between this carpet and Qajar architecture has not been considered. In this article, we try to extract the architectural elements and arrays in the carpet and answer the question: What are the manifestations of the common architectural style of the Qajar period in the carpet of "Bahram Gour and Haft Gonbad"? The method of this research has been descriptive-analytical and historical, and the collection of materials and documents has been in a library method. In this research, after examining the story of Bahram Gour and Haft Gonbad, some architectural features of the Qajar era are expressed and then, the architectural elements of this era are compared with the painted images of the mentioned carpet. Many stylistic features of Qajar architecture such as: narrow minarets, onion-shaped domes, ornate columns, sash windows, windbreaks, pavilions and inscriptions, are artistically drawn in this carpet and the designer of this work has been able to show the noble Qajarchr('39')s way of thinking and lifestyle. Probably were the customers or customers of this carpet, to show and show the social, cultural and artistic conditions of its era in the form of carpet fabric. In general, the carpet of "Bahram Gour and Haft Gonbad" can be considered as an intermediate link between lyrical literature, painting, carpet weaving and architecture.
