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Showing 6 results for Mirzaei
Inscriptions of Carpets as a Text
Mr Karim Mirzaei,
Volume 5, Issue 13 (9-2009)
Abstract
Iranian carpets with decorative elements are one of the elements taken from the lines of Kufi inscriptions, forms the third and Submit. Inscriptions can be divided into several different types are. They are the kind of writing verses, poems and birth certificates have been inserted in your carpet and other types of decorative only and free of any form and shape of the article itself, the inscriptions are associated. Decorative element of creativity into the article that Iranian artists know best achieved, as the geometry of the process of dry-looking Henry had become beautiful. Inscription as a visual element to the text and located where the readings feature a variety of analysts have calculated. This rug from the perspective Companion with other elements and can be analyzed from the perspective of succession and are reading. So the inscription, but rather as a document as a text within the text of the other larger, the carpet, as well as overall integration into a home where the mosque is located, can be different readings. It should be noted that this paper based on library research formed

The Study of Qualitative Influence of “Plan Handkerchiefs” on Pattern and Motifs of Heris Carpet
Mr Abdollah Mirzaei,
Volume 5, Issue 14 (3-2010)
Abstract
Iran’s carpet owes its basic part of artistic aspect to its own patterns and motifs. The transference of these patterns on woven carpets is done in different methods including “plan handkerchiefs”. Plans handkerchief acts as a mediator between the mind of the designer artist and the hands of the weaver artist. These patterns which are placed on cloths, besides their innate role as models for carpet weaving, increase the weavers’ designing and imaginative faculty and by giving variety to carpet productions of the region, play an important role in preservation and continuance of motifs as worthwhile heritage. The extension of new checkered plans has reduced the appearance of plan-handkerchiefs in Heris carpet weaving culture, and it has intensely reduced the variation of carpets’ patterns and motifs. 

Studying Identity in Motifs and Design of Carpets in Aran and Ardabil Regions
Mr Mehdi Jahani, Dr Asharfolsadat Mousavilar, Mr Javad Pournami, Mr Abdollah Mirzaei,
Volume 7, Issue 19 (9-2011)
Abstract
 Investigation and research on contemporary carpets is a vital and original perceptions of "identity" problem and relevant expressions with time and environment is certainly not a easy task. As we deal with some general concepts such as identity, the research literature is often directed to complex and philosophical issues. In the study of cultural encounters and interactions in Ardabil carpets it can be seen that an unbalanced process in social-artistic relations with some style-owned and dynamic cities in the last half century has caused that its simplicity and originality be affected and apparent contradictions can be observed. This paper is a comparative study of 36 samples of carpets from "Aran, Azerbaijan" and "Ardabil" to explore the concept of identity in both traditional and contemporary works, and find the reason for lack of identity via leaving common native identity for reproduced exotic identities.

Analysis of Design and Pattern of Contemporary Village Carpets of Ahar
Mrs Somayeh Abdi, Phd Seyed Jalal Eddin Bassam, Mr Abdollah Mirzaei,
Volume 11, Issue 27 (9-2015)
Abstract

Ahar is one of the carpet weaving regions in Eastern Azerbaijan. This paper is to document the designs of carpets of this area. Data is collected through surveying, using methods of observation and interviewing weavers, merchants and scholars. Six ‌carpet designs of six villages of this area including Qunigh, Cheshme Vazan, Qurchi Kandy, Haj Abedin Mazre'eh, Kaghalagh and Kalhur are studied and analyzed. The composition found in village carpets of Ahar is rectilinear medallion-spandrel. The carpets follow a pattern and design, which have some similarities, since the villages are in a same vicinity. But they not only differ in general design, but also they are different in some motifs. At the end, the elements of the design; i.e. medallion, pendant, spandrel and borders of these six carpets are compared.


a Study on the cypress forest design in raviz rafsanjan carpet
Mrs Mahla Mirzaei Baghini, D.r Mehdi Keshavarz Afshar,
Volume 13, Issue 32 (autumn and winter 2018)
Abstract
Kerman nomadic hand-woven carpets, woven without a detailed advance plan, is today one of the less discussed issues in the industry. Rafsanjan, Raviz carpet is among hundreds of nomadic carpets with significant authenticity and different motifs, including tree, mecca, flower pot, boteh, brick, medalion. The tree motif is one of the most beautiful features mainly seen in carpets woven in this area with different types the major one of which is cypress. By examining the structure, the present study aimed at identifying the major marginal and central motifs, their local name, and what changed over time? In which part of the carpets the changes can be found? To provide correct answers, the sample included 40 carpets woven based on the target motif collected by photography. The study was a descriptive analysis. The result indicated that the motif was first 2/1 tree, and changed over time into 2/1 medalion and 4/1 in some cases. The most visible changes are in the medalion motif of the carpet which was first cypress and changed over time into a diamond-shaped medalion. A major motif in the carpets is sini a triangular form woven at the bottom of the carpet. The motif includes plant, animal and bird motifs.

Content analysis of the articles published in the first 30 issues of Goljaam bi-quarterly
Dr Abdollah Mirzaei,
Volume 14, Issue 33 (spring & summer 2018)
Abstract

 The bi-quarterly of Goljaam is a journal of handwoven carpets and related field that is published by Iran Scientific Carpet Association since 1384. The main aim of this article is the content analysis of the 179 articles published in the first 30 issues of the journal. The design of the study is applied research utilizing content analysis. The findings revealed that in each of the issues 6/35% articles have been published; 57/3% of the articles were library research; 73/42% of the articles were written by male writers; more than 49/46% of the authors were PhDs; 42/69% of the articles were written by a double authors; among the university writers, Tarbiat Modarres university submitted 43 articles, Kashan university 32 articles and Shahed university 31 articles, respectively. The issues covered in the article were basically concerned with carpet design and motif (51/5%).


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