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Showing 3 results for soltani

Mrs Arezoo Soltani Nezhad, Mr Hamid Farahmand Borojeni, Mr Tooraj Zhooleh,
Volume 6, Issue 17 (3-2011)
Abstract

Armani-baf (Irano-Armenian Rug) is going to be thoroughly extinct. By the settlement of Armenians in some local provinces of Iran, preserving the original features of Iranian carpet and influenced by ancient Armenian tradition of carpet weaving, such carpets were woven at the period of Shah-Abbas, the Great. Having many cultural commonalities, Iranian and Armenian people have had a long lasting history of cultural and civilizational relations. So the features of their cultural traditions is clearly reflected in their wide range of art and craft styles. Even before the emigration of Armenians to Iran, carpet weaving has been a well-known craft among both mentioned people. Despite this, rather than Armenian tradition, the Irano-Armenian Rugs mostly represent the Iranian native tradition of carpet weaving. The analysis of this hypothesis is highly dependent on comparative study of two mentioned carpet weaving traditions, considering: design, color, and weaving specifications. Indeed here with a pragmatic approach the data, gathered through field (conversation) and library research, is analyzed on a descriptive-comparative basis.

Mrs Maryam Soltani, Dr Mehdi Keshavarz Afshar,
Volume 12, Issue 29 (9-2016)
Abstract

The French elements and motifs have been entered to Iran art through building moldings. Meanwhile, importing postcards and chocolate boxes having European stencils ,have had important role at stencils of carpet .At the period of Gublan in Kerman province ,by the request of America for using French Golfrang and Gublan,the structure and elements of Kerman carpet was influenced by Aubusson and Savonery  carpets.

In this article , by study these two types of carpet, we try to show the relationship between French carpet stencils and the  Gublan period carpet in Kerman and by comparing the resemblances and differences to show: How much the Kerman carpet has been influenced by the French carpet, whether the designers copied the designs or incorporated them.

To achieve a precise and accurate result,56 samples of Gublan Period carpet in Kerman were collected by field study .Also 70 samples of French carpets were photographed by library method .By comparing these designs through descriptive, analytical  and comparative methods ,their different and common aspects were surveyed and specified that no copy has been done and at the Gublan period ,the Kerman designers have been influenced by French carpet design. In some cases adaptations used ,have resulted to innovation of  new designs.

With regard to the similarities between the composition and structure of these two types of carpet, in spite of French carpet ,the colour used in Kerman carpets are bright and opaque.

Though the basis of French carpet design has been originated from the  East ,but in comparison to Kerman carpet, less porportions have been observed.


Mrs Mona Soltani, Mrs Zahra Fatemi Moqaddam,
Volume 14, Issue 33 (spring & summer 2018)
Abstract


Qa'inat has been one of the principal carpet-weaving centres in Iran through the history. Studying the historical documents in the Archives of Astan Quds Razavi which relate to the supply and maintenance of the carpets in the Holy Shrine of Imam Reza (AS), the names of some regions such as Qa'in, Birjand and Dorokhsh are observed. These regions are important carpet-weaving centres in the Qa'inat.
Considering the historical significance of Qa'inat in the history of carpet-weaving in Iran and the ambiguities in its weavings before 1870, the findings of this article will complete the current information on the history of carpet in the south of Khorasan during Safavid, Afshar and Qajar periods. This research work is aimed primarily at studying Qa'inat carpets from 1022 to 1340 AH (1613-1921 CE), their variety and distinctive features i.e. designs, motifs and dimensions based on the historical documents in the Archives of Astan Quds Razavi. This historical research work, which is both library and documents research. illustrates that felts and carpets have been two of the most well-known handicrafts of this region from Safavid to the late Qajar periods. It also depicts that Qa'in has been one of the most important carpet-weaving centres in Iran, in which weaving large and extra-large rugs and carpets with an urban style was commonplace.
 

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