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Showing 2 results for Bijar

Ms Hoda Jafari,
Volume 15, Issue 35 (9-2019)
Abstract

Bijar Rug (Iron Rug) or Garous Rug is one of the most famous Iranian rugs in the world. Its world-wide reputation raises the question that to which historical period, does this artwork of Bijar belong? In the present study, to answer this question, the researcher has endeavored to investigate the position of mythical images and patterns in Bijar rug art, and then the mentioned images and concepts were studied in rugs with Kurdistan Baghi and Charbagh Patterns; finally codified rugs and carpets woven in Bijar were taken into consideration. The purpose of the present study was to estimate how old rug-weaving art in Garous Province is. The methodology of the research consisted of interviews, studying books, journals, and articles, and visiting the museums in order to investigate the images of Bijar Baghi, Charbagh and codified rugs. According to the researcher’s investigations, it can be stated that mythical images drawn on Bijar rug are influenced by the western civilizations of Iran Plateau appearing in the form of mythical symbols such as animals and plants; thus this rug-weaving art dates back to millenniums B.C. Also the existence of rugs woven in Safavieh, Qajar, and Pahlavi periods is the indication of prevalence and fame of this art in Iran and all over the world.


Hoda Jafari,
Volume 17, Issue 40 (9-2021)
Abstract


Bijar klim, or, garous klims, one of the most famous Iranian klim in the world. Its world-wide repution raises the question that what are the meaning, the images, portrates, mytihcals images and pattern in Bijar klim art? To answer this question, the author of the article has tried to study the design of mythological images of ancient Iran in Bijar Klim Art were teken in to consideration, archaeological, history, garfigh, researches. The purpose of the author is to investigate the mythological concepts and symbols of ancient Iran on Bijar Garous Klim
Methodology was cnonsisted of interviwers with experts  (Klim weavers, Klim Disigners and klim marketer) and literature review(articles, books,journals ) on the the meaning mythical images. The interview framework was semi-structured.
Pupulation and sampels: 200 Klim, 23 Klim experts in Bijar, were selected through convenience sampling and interviewed.
Data analysis: Data was obtained with content analysis.
Results: According to the searches investigation.it can be stayed mythical images drawn on bijar klim are flunced by the western,civilization of iranplatea,.mesepotamia, central Asia, belives, culthural creets, acceptance cermonia l and correspondent  religion, appearning in the mythical. symbold such as animals and plants.
 


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