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Showing 2 results for Weaving Technique

Mr Homayun Haj Mohammad Hosseini, Dr Habibullah Ayatollahi,
Volume 1, Issue 1 (3-2006)
Abstract

Iranian rural carpets are an important resource for studying the rural art and culture of Iran. They are also the most important area for staging the talents of, especially, rural girls and women. The common aspects of visual elements bespeak the prevailing spirit in these works under the influence of interaction with nature and lessons learned thereby. Also the availability of materials in the rural environment has the greatest influence on the physical aspects of design and texture. Rural-urban interaction and that with the nomadic population, and adapting the imported patterns to rural life is an outstanding feature of rural carpets. Adaptability of rural carpets to traditional rural applications and architecture is truly remarkable. The aesthetics of these works reveals their underlying principles, and the characteristics of their creators, and helps understand their worldview and attitude to their environment. Perhaps, that will present us with the gift of a new understanding of existence. The last point is that rural carpets are distinguishable from the urban and nomadic varieties.

Mr. Ashkan Rahmani,
Volume 13, Issue 32 (3-2018)
Abstract

Qashqai tribe is from the southern states of the country that the main profession of livestock and their women to be engaged in weaving. Depending on their nomadic life, some container weaving such as “mafrash” (bedding bag), saddlebag, “chante” (small bag), “joval” (storing sack), “tobre” (bag), “gashiglig” (bag for spoon) and “duzlug” (bag for salt) are woven by them. Among these weavings, mafrash is a biggest in which only three-dimensional woven kilim, jajim and bedspreads can be placed. All used motifs are geometric and abstract. In terms of design composition; horizontal panel and diagonal can be seen. Mafrash is woven with “supplementary alternative weft” technique. Regarding heddling and weaving; they are divided into two groups that so called “new technique and old technique”. Research method is descriptive. The data obtained through library and field research visits to Shiraz, Firoozabad, Farashband tribes and villages. The results of the field research are based on a survey of 45 pieces; 5 pieces from Shiraz, 7 pieces from Firoozabad nomads, 5 pieces from Farashband nomads, 20 pieces from Firoozabad, 6 pieces from  Jahadabad, 2 pieces from morjshahrak are  researched and analyzed. 



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