Mr Homayun Haj Mohammad Hosseini, Dr Habibullah Ayatollahi,
Volume 1, Issue 1 (3-2006)
Abstract
Iranian rural carpets are an important resource for studying the rural art and culture of Iran. They are also the most important area for staging the talents of, especially, rural girls and women. The common aspects of visual elements bespeak the prevailing spirit in these works under the influence of interaction with nature and lessons learned thereby. Also the availability of materials in the rural environment has the greatest influence on the physical aspects of design and texture. Rural-urban interaction and that with the nomadic population, and adapting the imported patterns to rural life is an outstanding feature of rural carpets. Adaptability of rural carpets to traditional rural applications and architecture is truly remarkable. The aesthetics of these works reveals their underlying principles, and the characteristics of their creators, and helps understand their worldview and attitude to their environment. Perhaps, that will present us with the gift of a new understanding of existence. The last point is that rural carpets are distinguishable from the urban and nomadic varieties.
Mrs Nazila Daryaie,
Volume 2, Issue 4 (3-2007)
Abstract
Aesthetics of Iranian Hand Woven Carpets is one of the main reasons for its eternality. Recognition of such beauties, give one such scales for his/her evaluation about this matter. These elements are qualified features which affect on aesthetics of Iranian carpets and help to its eternality. This survey takes into consideration the main cases according to their relations toward carpet aesthetics. The main aim of this study is classifying, determining and introducing the reasons of carpet aesthetics and also the relations of these factors with cultural, artistic values of the society. To know if the Iranian Hand Woven carpets have aesthetics values or not and also if it has, determining such categories, are the main questions of this survey. In conclusion we understand that Iranian carpets have aesthetics features which I classified in two categories, one is intrinsic characteristics and the other is extrinsic. Also extrinsic category is divided in two fields and design, color and size are three factors among them.
Elahe Imani, Maryam Foroughinia,
Volume 17, Issue 39 (8-2021)
Abstract
Aesthetics is one of the important topics in the evaluation of works of art and can be examined from two aspects, objective and subjective. Rural and Tribal ruges in Iran are the result of the taste and mental creativity of weavers and designers who, despite being mentally woven, have a lot of harmony. The purpose of this study is to analyze the visual aesthetics of such carpets and due to their diversity and to avoid the breadth of the subject, studies the two designs from the region Yalmeh and Minakhani with this question: How are the principles of objective aesthetics reflected in the designs of Medallion and Brick-shaped Yalmeh and Minakhani? This qualitative research has been done by descriptive-analytical method and using library resources and based on Mikel Dufrenne's objective view of aesthetics and Ocvirk's view and visual principles, which is one of the main sub-branches of the objective aesthetic view. The results show that the correct structure of visual principles in rural carpet motifs as an art object leads to aesthetic perception of these works by the audience so that seven factors of Ocvirk approach including harmony, proportion, balance, motion, hegemony and brevity in the design and color of the studied samples are evident and only in Minakhani rugs, the principle of design diversity is less due to the repetition of patterns. Also, maintaining geometric proportions and observing visual and symbolic principles in form and color are other components of aesthetics in them
