Mr Karim Mirzaei,
Volume 5, Issue 13 (9-2009)
Abstract
Iranian carpets with decorative elements are one of the elements taken from the lines of Kufi inscriptions, forms the third and Submit. Inscriptions can be divided into several different types are. They are the kind of writing verses, poems and birth certificates have been inserted in your carpet and other types of decorative only and free of any form and shape of the article itself, the inscriptions are associated. Decorative element of creativity into the article that Iranian artists know best achieved, as the geometry of the process of dry-looking Henry had become beautiful. Inscription as a visual element to the text and located where the readings feature a variety of analysts have calculated. This rug from the perspective Companion with other elements and can be analyzed from the perspective of succession and are reading. So the inscription, but rather as a document as a text within the text of the other larger, the carpet, as well as overall integration into a home where the mosque is located, can be different readings. It should be noted that this paper based on library research formed
Ehsan Hamidi, Hamid Farahmand Boroojeni, Mahdi Ebrahimi Alavije,
Volume 15, Issue 35 (9-2019)
Abstract
Abstract
After the arrival of Islam and the prohibition of the use of animals and human figures, the Islamic artists invented new and different manners to decorate various art forms; one of this way was applying different calligraphy styles in their pieces. The carpet was one those which got influenced by calligraphy
This investigation will study the importance of writing and calligraphy; and the factors, which influence on the quality and execution of rules and geometry of writing in carpet through analyzing the collected samples and a descriptive-analytical manner. It is well known that the carpet, in comparison with the other branches of art, has a limitation in execution and techniques especially in design. This investigation has analyzed the samples up to Qajar period while considering the technical limitations as the main obstacle for the lack of executing the letters in calligraphy although with utmost beauty and maturity, and also taking into consideration that the use of writing as a subsidiary factor, leads to less attention to its execution. Eventually, it is concluded that the technical limitation, in some cases human mistakes, neglect and imprecision were factors, which had influence on execution of the carpet.
Between different types of writing, Nastaliq was the only script, which has received most infliction in both execution form and technical points.
