Showing 2 results for Texture
Shahdokht Rahimppour, Abolghasem Nemat Shahrbabaki,
Volume 14, Issue 34 (3-2019)
Abstract
Tablecloths are used to make bread and tinned food, which is woven by women in numerous rural areas and nomadic tribes. Sistan and Baloochestan province is one of the important areas of plafond in terms of texture and design. The decline in the production of tablecloth, which is affected by the environmental, economic, life-changing and neglected indigenous capacities of women's art in this region, Forgiveness has been part of the cultural and social identity of the art of this region. Therefore, this study was conducted for the first time with the aim of studying the texture structure and table tiling of Sistan and Baluchestan. Data collection was done by field study and library, and descriptive-analytic research method. The results show that the texture structure of the tables is simple, combined, and rolled in three ways. The layout of the tablecloths of Muharramat, Katshad, Terrani, and Infected, and the fifteen columns of the Tablets was identified. The most used images are used in the sense of immortality and rainworship.
Marzieh Sehat, Seyedmohamadjavad Afsarian,
Volume 16, Issue 38 (2-2021)
Abstract
Among the Qashqai tribes, what is most commonly known is the variety of handcrafts, its design, its role, and its brilliant and beautiful colors. Dharma glass is one of the dozens of beautiful Qashqai woven handcrafts and is a double-colored warp and is taught like a mother-to-child nomadic handkerchief. Unfortunately, today, due to problems such as the lack of skilled weavers, the texture of time , No texture map, no presentation, its texture is obsolete. Hence, it has been tried to restore it to prevent it from becoming obsolete and to be used with its proper introduction in everyday life.
In doing this research, I tried to answer the following questions:
1. What technique is woven and its technical limitations and can it be made?
2. How can the role be corrected and mapped for that?
