fa بررسی ساختاری اشکال مختلف حوض در فرش، نگارگری و معماری منظر ایران طرح و نقشه علمی - پژوهشي Research <br> <span style="font-size:11pt"><span style="direction:rtl"><span style="unicode-bidi:embed"><span style="line-height:107%"><span sans-serif="" style="font-family:Calibri,"><b><span dir="LTR" style="font-size:14.0pt"><span style="background:white"><span style="line-height:107%"><span style="font-family:" tahoma=""><span style="color:black"></span></span></span></span></span></b></span></span></span></span></span><br> <span style="font-size:11pt"><span style="direction:rtl"><span style="unicode-bidi:embed"><span style="line-height:107%"><span sans-serif="" style="font-family:Calibri,"><b><span lang="AR-SA" style="font-size:13.0pt"><span style="line-height:107%"><span b="" mitra="" style="font-family:"><span style="color:black">چکیده</span></span></span></span></b></span></span></span></span></span><br> <span style="font-size:11pt"><span style="direction:rtl"><span style="unicode-bidi:embed"><span style="line-height:107%"><span sans-serif="" style="font-family:Calibri,"><span lang="AR-SA" style="font-size:13.0pt"><span style="line-height:107%"><span b="" mitra="" style="font-family:">ترسیمات ساده هندسی جزو اولین اشکالی بودند که در هنر و معماری ایران از آن استفاده شده است. هنرمندان ایرانی بوسیله اشکال مختلف اندیشه‌ها،مفاهیم و باورها خود رانشان داده اند. در آثار هنری اشکال</span></span></span>&nbsp;<span lang="AR-SA" style="font-size:13.0pt"><span style="line-height:107%"><span b="" mitra="" style="font-family:"> هندسی دارای تنوع زیادی هستند. <span style="color:black">ایجاد گونه</span></span></span></span>&nbsp;<span lang="AR-SA" style="font-size:13.0pt"><span style="line-height:107%"><span b="" mitra="" style="font-family:"><span style="color:black">های متنوع در اشکال حوض، نماد تکاپوهای معنایی و زیباشناختی برای حُسن بهره</span></span></span></span>&nbsp;<span lang="AR-SA" style="font-size:13.0pt"><span style="line-height:107%"><span b="" mitra="" style="font-family:"><span style="color:black">وری از آب بوده و انعکاس زیباشناختی خاصی در &nbsp;بناهای ایرانی دارد. &nbsp;هدف این پژوهش بررسی ساختاری اشکال مختلف حوض در فرش، نگارگری و معماری منظر ایران است . پژوهش فوق به روش توصیفی- تطبیقی و با بهره</span></span></span></span>&nbsp;<span lang="AR-SA" style="font-size:13.0pt"><span style="line-height:107%"><span b="" mitra="" style="font-family:"><span style="color:black">گیری از منابع اسنادی (کتابخانه</span></span></span></span>&nbsp;<span lang="AR-SA" style="font-size:13.0pt"><span style="line-height:107%"><span b="" mitra="" style="font-family:"><span style="color:black">ای) انجام شده است. &nbsp;</span></span></span></span></span></span></span></span></span><br> <span style="font-size:11pt"><span style="direction:rtl"><span style="unicode-bidi:embed"><span style="line-height:107%"><span sans-serif="" style="font-family:Calibri,"><span lang="AR-SA" style="font-size:13.0pt"><span style="line-height:107%"><span b="" mitra="" style="font-family:"><span style="color:black">یافته</span></span></span></span><span lang="AR-SA" style="font-size:13.0pt"><span style="line-height:107%"><span new="" roman="" style="font-family:" times=""><span style="color:black">‌</span></span></span></span><span lang="AR-SA" style="font-size:13.0pt"><span style="line-height:107%"><span b="" mitra="" style="font-family:"><span style="color:black">ها نشانگر این است که معماری گاهی منبع الهام برای نقوش و طرح</span></span></span></span>&nbsp;<span lang="AR-SA" style="font-size:13.0pt"><span style="line-height:107%"><span b="" mitra="" style="font-family:"><span style="color:black">های فرش و نگارگری بوده است، بنابراین هندسه جز اصلی</span></span></span></span>&nbsp;<span lang="AR-SA" style="font-size:13.0pt"><span style="line-height:107%"><span b="" mitra="" style="font-family:"><span style="color:black">ترین وجوه مشترک بین این سه هنر است. همچنین بین معماری، فرش و نگارگری &nbsp;از گذشته &nbsp;تا کنون نمادهای مشترک وجود داشته است که هر کدام دارای معانی خاص و ویژه</span></span></span></span>&nbsp;<span lang="AR-SA" style="font-size:13.0pt"><span style="line-height:107%"><span b="" mitra="" style="font-family:"><span style="color:black">ای بوده</span></span></span></span>&nbsp;<span lang="AR-SA" style="font-size:13.0pt"><span style="line-height:107%"><span b="" mitra="" style="font-family:"><span style="color:black">اند. </span></span></span></span></span></span></span></span></span><br> <span style="font-size:11pt"><span style="direction:rtl"><span style="unicode-bidi:embed"><span style="line-height:107%"><span sans-serif="" style="font-family:Calibri,"><span lang="AR-SA" style="font-size:13.0pt"><span style="line-height:107%"><span b="" mitra="" style="font-family:">نتایج این پژوهش نماینگر این نکته اشت که اشکال و عنصر حوض در اکثر فرش</span></span></span>&nbsp;<span lang="AR-SA" style="font-size:13.0pt"><span style="line-height:107%"><span b="" mitra="" style="font-family:">ها برگرفته از معماری باغ ایرانی بوده و بیشتر به اشکال چهارگوش و دایره مرکزی دیده شده است.</span></span></span><span lang="AR-SA" style="font-size:13.0pt"><span style="line-height:107%"><span b="" mitra="" style="font-family:"><span style="color:black"> نگارگر ایرانی نیز سندی مهم و با ارزش و جلو های بی</span></span></span></span>&nbsp;<span lang="AR-SA" style="font-size:13.0pt"><span style="line-height:107%"><span b="" mitra="" style="font-family:"><span style="color:black">نظیر از باغ ایرانی را به نمایش گذاشته است. در نتیجه اشکال حوض در نگاره</span></span></span></span>&nbsp;<span lang="AR-SA" style="font-size:13.0pt"><span style="line-height:107%"><span b="" mitra="" style="font-family:"><span style="color:black">ها و قالی</span></span></span></span>&nbsp;<span lang="AR-SA" style="font-size:13.0pt"><span style="line-height:107%"><span b="" mitra="" style="font-family:"><span style="color:black">های ایرانی تأکید بر مرکزیت حوض، شبکه آبرسانی جریان آب، تقارن، طبیعت</span></span></span></span>&nbsp;<span lang="AR-SA" style="font-size:13.0pt"><span style="line-height:107%"><span b="" mitra="" style="font-family:"><span style="color:black">گرایی، هماهنگی بین عناصر موجود در معماری و تفکیک فضاها تأکید دارد. </span></span></span></span></span></span></span></span></span><br> <span style="font-size:11pt"><span style="line-height:107%"><span sans-serif="" style="font-family:Calibri,"><b><span style="font-size:14.0pt"><span style="background:white"><span style="line-height:107%"><span style="font-family:" tahoma=""><span style="color:black"></span></span></span></span></span></b></span></span></span><br> <span style="font-size:11pt"><span style="direction:rtl"><span style="unicode-bidi:embed"><span style="line-height:107%"><span sans-serif="" style="font-family:Calibri,"><b><span lang="AR-SA" style="font-size:14.0pt"><span style="line-height:107%"><span style="font-family:"B Lotus""></span></span></span></b></span></span></span></span></span><br> &nbsp; <span style="font-size:11pt"><span style="background:#f8f9fa"><span style="line-height:27.0pt"><span style="tab-stops:45.8pt 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt"><span sans-serif="" style="font-family:Calibri,"><span lang="EN" style="font-size:21.0pt"><span inherit="" style="font-family:"><span style="color:#202124">Abstract</span></span></span></span></span></span></span></span><br> <span style="font-size:11pt"><span style="background:#f8f9fa"><span style="line-height:27.0pt"><span style="tab-stops:45.8pt 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt"><span sans-serif="" style="font-family:Calibri,"><span lang="EN" style="font-size:21.0pt"><span inherit="" style="font-family:"><span style="color:#202124">Simple geometric drawings were among the first forms used in Iranian art and architecture. Iranian artists have been driven by different forms of thoughts, concepts and beliefs. In works of art, geometric shapes have many variations. The creation of diverse species in the forms of the pond is a symbol of semantic and aesthetic efforts for good water efficiency and has a special aesthetic reflection in Iranian buildings. The purpose of this research is to investigate the structural aspects of different forms of ponds in carpets, painting and landscape architecture of Iran. The above research has been done by descriptive-comparative method and by using documentary sources (library).</span></span></span><span style="font-size:21.0pt"><span inherit="" style="font-family:"><span style="color:#202124"></span></span></span></span></span></span></span></span><br> <span style="font-size:11pt"><span style="direction:rtl"><span style="unicode-bidi:embed"><span style="line-height:107%"><span sans-serif="" style="font-family:Calibri,"><span lang="AR-SA" style="font-size:13.0pt"><span style="line-height:107%"><span b="" mitra="" style="font-family:"><span style="color:black"></span></span></span></span></span></span></span></span></span><br> <span style="font-size:11pt"><span style="background:#f8f9fa"><span style="line-height:27.0pt"><span style="tab-stops:45.8pt 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt"><span sans-serif="" style="font-family:Calibri,"><span lang="EN" style="font-size:21.0pt"><span inherit="" style="font-family:"><span style="color:#202124">The findings show that architecture has sometimes been a source of inspiration for carpet and painting motifs and designs, so geometry is one of the main common aspects between these three arts. Also, there have been common symbols between architecture, carpets and painting from the past until now, each of which had special and special meanings.</span></span></span></span></span></span></span></span><br> <span style="font-size:11pt"><span style="background:#f8f9fa"><span style="line-height:27.0pt"><span style="tab-stops:45.8pt 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt"><span sans-serif="" style="font-family:Calibri,"><span lang="EN" style="font-size:21.0pt"><span inherit="" style="font-family:"><span style="color:#202124">The results of this research show that the shape and element of the pond in most of the carpets are derived from the architecture of the Iranian garden and are mostly seen in the form of a square and a central circle. The Iranian painter has also exhibited an important and valuable document and unique facades of the Iranian garden. As a result, the shapes of the pond in Iranian paintings and carpets emphasize the centrality of the pond, the water supply network, symmetry, naturalism, harmony between the elements in architecture, and separation of spaces.</span></span></span><span style="font-size:21.0pt"><span inherit="" style="font-family:"><span style="color:#202124"></span></span></span></span></span></span></span></span><br> <br> &nbsp; حوض,حوض در معماری,حوض در فرش,حوض در نگارگری haws,haws in architecture,haws in carpet,haws in painting 111 126 http://goljaam.icsa.ir/browse.php?a_code=A-10-1135-1&slc_lang=fa&sid=1 leila farahbod لیلا فرهبد Leila.farahbod.992@gmail.com 10031947532846003573 10031947532846003573 Yes PHD Student دانشگاه آزاد اسللامی کیش Abolfazl Davodiroknabadi ابوالفضل داودی davodi@iauyazd.ac.ir 10031947532846003574 10031947532846003574 No professor دانشگاه آزاد اسللامی یزد Tooraj Fashandaki تورج فشندکی fashandaki@yahoo.com 10031947532846003575 10031947532846003575 No assistant professor دانشگاه آزاد اسللامی شبستر